In 2017, it was finally released for retail. The roman transitional typeface Bota Serif (2015), which was inspired by Cochin (designed by Charles Peignot in 1912) is a custom font designed for Hotel des ventes de Poitiers. In 2015, he made the 3-style sans typeface Suber for an art fair in Paris. Adrien Midzic and Joana Correia co-designed Saya Serif FY (2015).Īt the free font cooperative Velvetyne, he published the sans typeface Lack (2014). Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak co-designed the very humanist sans family Saya FY and Saya Semisans FY. It was renamed Vanille FY after a few days. In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. Midzic designed these typefaces or type families: Fine (lineal), Blokus (free pixel font, 2009), Cimen (strong sans, designed for Smacl Entraide), Mesquine ( lineal), Blitz, Cucha, Stencil Reverse, Huit (2009, a gorgeous didone headline face), Stenha (stencil).įonts made in 2010: The ETH family (art deco sans).Ĭustom typefaces by Midzic: Aquitaine (2013, for Région Aquitaine), Nilka (2013, for his personal identity), No End (2013, a fat didone), Ethon Serif (2013, a perked up serif typeface for Penguin Books), Kasai Est (2011, for the Congo-based Kasai Est Magazine), Festival De Film Documentaire (2011), Nevenka (2011, condensed sans). Born in 1982, he co-founded Pizza Typefaces with Luc Borho in 2018. įatnobrain was Adrien Midzic's design studio in Paris. ĭuring her studies in Savannah, GA, Adriana Ozawa Rodrigues designed the hipster typeface Ladybug (2015). Madrid-based designer of the spiky typeface Pank (2016). Valencia, Spain-based designer of a hipster typeface in 2016. New York City-based designer of the hipster typeface Laser Gun Gothic (2014). Typefaces from 2021: Galipo (a Latin / Cyrillic display typeface inspired by Andalusian society and culture). TYPE DESIGN INFORMATION PAGE last updated onĭesigner of the hipsterish display typeface Belle de Mai (2020), a variable display typeface inspired in the cultural shock between high cost zones and the lowest suburbs near big metropolitans cities like Paris, and in the French culture, especially in the hood of La Belle de Mai, where it takes the name from.
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